The exhibition presents a wide selection of works by Henryk Lula — artist, teacher and professor at the Academy of Fine Arts in Gdańsk. Comprising over 100 objects, it is the most comprehensive presentation to date of the achievements of this outstanding artist, who has worked in the technique and medium of ceramics from the 1950s to the present day. The theme of matter, emphasised in the title, corresponds to the conceptual message of the presentation, as well as the artist’s theoretical reflection on its role in art. The exhibition also explores the question of the development of the modern ceramic tradition in Poland, eluding the criteria of applied art or design, which has been vibrant on the Polish art scene since the 1960s.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

The exhibition presents a wide selection of works by Henryk Lula — artist, teacher and professor at the Academy of Fine Arts in Gdańsk. Comprising over 100 objects, it is the most comprehensive presentation to date of the achievements of this outstanding artist, who has worked in the technique and medium of ceramics from the 1950s to the present day. The theme of matter, emphasised in the title, corresponds to the conceptual message of the presentation, as well as the artist’s theoretical reflection on its role in art. The exhibition also explores the question of the development of the modern ceramic tradition in Poland, eluding the criteria of applied art or design, which has been vibrant on the Polish art scene since the 1960s.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

The exhibition presents a wide selection of works by Henryk Lula — artist, teacher and professor at the Academy of Fine Arts in Gdańsk. Comprising over 100 objects, it is the most comprehensive presentation to date of the achievements of this outstanding artist, who has worked in the technique and medium of ceramics from the 1950s to the present day. The theme of matter, emphasised in the title, corresponds to the conceptual message of the presentation, as well as the artist’s theoretical reflection on its role in art. The exhibition also explores the question of the development of the modern ceramic tradition in Poland, eluding the criteria of applied art or design, which has been vibrant on the Polish art scene since the 1960s.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

The exhibition presents a wide selection of works by Henryk Lula — artist, teacher and professor at the Academy of Fine Arts in Gdańsk. Comprising over 100 objects, it is the most comprehensive presentation to date of the achievements of this outstanding artist, who has worked in the technique and medium of ceramics from the 1950s to the present day. The theme of matter, emphasised in the title, corresponds to the conceptual message of the presentation, as well as the artist’s theoretical reflection on its role in art. The exhibition also explores the question of the development of the modern ceramic tradition in Poland, eluding the criteria of applied art or design, which has been vibrant on the Polish art scene since the 1960s.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

The exhibition presents a wide selection of works by Henryk Lula — artist, teacher and professor at the Academy of Fine Arts in Gdańsk. Comprising over 100 objects, it is the most comprehensive presentation to date of the achievements of this outstanding artist, who has worked in the technique and medium of ceramics from the 1950s to the present day. The theme of matter, emphasised in the title, corresponds to the conceptual message of the presentation, as well as the artist’s theoretical reflection on its role in art. The exhibition also explores the question of the development of the modern ceramic tradition in Poland, eluding the criteria of applied art or design, which has been vibrant on the Polish art scene since the 1960s.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

The exhibition presents a wide selection of works by Henryk Lula — artist, teacher and professor at the Academy of Fine Arts in Gdańsk. Comprising over 100 objects, it is the most comprehensive presentation to date of the achievements of this outstanding artist, who has worked in the technique and medium of ceramics from the 1950s to the present day. The theme of matter, emphasised in the title, corresponds to the conceptual message of the presentation, as well as the artist’s theoretical reflection on its role in art. The exhibition also explores the question of the development of the modern ceramic tradition in Poland, eluding the criteria of applied art or design, which has been vibrant on the Polish art scene since the 1960s.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

The exhibition presents a wide selection of works by Henryk Lula — artist, teacher and professor at the Academy of Fine Arts in Gdańsk. Comprising over 100 objects, it is the most comprehensive presentation to date of the achievements of this outstanding artist, who has worked in the technique and medium of ceramics from the 1950s to the present day. The theme of matter, emphasised in the title, corresponds to the conceptual message of the presentation, as well as the artist’s theoretical reflection on its role in art. The exhibition also explores the question of the development of the modern ceramic tradition in Poland, eluding the criteria of applied art or design, which has been vibrant on the Polish art scene since the 1960s.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

The exhibition presents a wide selection of works by Henryk Lula — artist, teacher and professor at the Academy of Fine Arts in Gdańsk. Comprising over 100 objects, it is the most comprehensive presentation to date of the achievements of this outstanding artist, who has worked in the technique and medium of ceramics from the 1950s to the present day. The theme of matter, emphasised in the title, corresponds to the conceptual message of the presentation, as well as the artist’s theoretical reflection on its role in art. The exhibition also explores the question of the development of the modern ceramic tradition in Poland, eluding the criteria of applied art or design, which has been vibrant on the Polish art scene since the 1960s.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

The exhibition presents a wide selection of works by Henryk Lula — artist, teacher and professor at the Academy of Fine Arts in Gdańsk. Comprising over 100 objects, it is the most comprehensive presentation to date of the achievements of this outstanding artist, who has worked in the technique and medium of ceramics from the 1950s to the present day. The theme of matter, emphasised in the title, corresponds to the conceptual message of the presentation, as well as the artist’s theoretical reflection on its role in art. The exhibition also explores the question of the development of the modern ceramic tradition in Poland, eluding the criteria of applied art or design, which has been vibrant on the Polish art scene since the 1960s.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

The exhibition presents a wide selection of works by Henryk Lula — artist, teacher and professor at the Academy of Fine Arts in Gdańsk. Comprising over 100 objects, it is the most comprehensive presentation to date of the achievements of this outstanding artist, who has worked in the technique and medium of ceramics from the 1950s to the present day. The theme of matter, emphasised in the title, corresponds to the conceptual message of the presentation, as well as the artist’s theoretical reflection on its role in art. The exhibition also explores the question of the development of the modern ceramic tradition in Poland, eluding the criteria of applied art or design, which has been vibrant on the Polish art scene since the 1960s.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

The exhibition presents a wide selection of works by Henryk Lula — artist, teacher and professor at the Academy of Fine Arts in Gdańsk. Comprising over 100 objects, it is the most comprehensive presentation to date of the achievements of this outstanding artist, who has worked in the technique and medium of ceramics from the 1950s to the present day. The theme of matter, emphasised in the title, corresponds to the conceptual message of the presentation, as well as the artist’s theoretical reflection on its role in art. The exhibition also explores the question of the development of the modern ceramic tradition in Poland, eluding the criteria of applied art or design, which has been vibrant on the Polish art scene since the 1960s.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

The exhibition presents a wide selection of works by Henryk Lula — artist, teacher and professor at the Academy of Fine Arts in Gdańsk. Comprising over 100 objects, it is the most comprehensive presentation to date of the achievements of this outstanding artist, who has worked in the technique and medium of ceramics from the 1950s to the present day. The theme of matter, emphasised in the title, corresponds to the conceptual message of the presentation, as well as the artist’s theoretical reflection on its role in art. The exhibition also explores the question of the development of the modern ceramic tradition in Poland, eluding the criteria of applied art or design, which has been vibrant on the Polish art scene since the 1960s.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

The exhibition presents a wide selection of works by Henryk Lula — artist, teacher and professor at the Academy of Fine Arts in Gdańsk. Comprising over 100 objects, it is the most comprehensive presentation to date of the achievements of this outstanding artist, who has worked in the technique and medium of ceramics from the 1950s to the present day. The theme of matter, emphasised in the title, corresponds to the conceptual message of the presentation, as well as the artist’s theoretical reflection on its role in art. The exhibition also explores the question of the development of the modern ceramic tradition in Poland, eluding the criteria of applied art or design, which has been vibrant on the Polish art scene since the 1960s.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

The exhibition presents a wide selection of works by Henryk Lula — artist, teacher and professor at the Academy of Fine Arts in Gdańsk. Comprising over 100 objects, it is the most comprehensive presentation to date of the achievements of this outstanding artist, who has worked in the technique and medium of ceramics from the 1950s to the present day. The theme of matter, emphasised in the title, corresponds to the conceptual message of the presentation, as well as the artist’s theoretical reflection on its role in art. The exhibition also explores the question of the development of the modern ceramic tradition in Poland, eluding the criteria of applied art or design, which has been vibrant on the Polish art scene since the 1960s.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

The exhibition presents a wide selection of works by Henryk Lula — artist, teacher and professor at the Academy of Fine Arts in Gdańsk. Comprising over 100 objects, it is the most comprehensive presentation to date of the achievements of this outstanding artist, who has worked in the technique and medium of ceramics from the 1950s to the present day. The theme of matter, emphasised in the title, corresponds to the conceptual message of the presentation, as well as the artist’s theoretical reflection on its role in art. The exhibition also explores the question of the development of the modern ceramic tradition in Poland, eluding the criteria of applied art or design, which has been vibrant on the Polish art scene since the 1960s.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.

Natalia Romik’s exhibition is an artistic tribute to survival architecture, the hiding places built and used by Jews during the Holocaust. They used tree hollows, wardrobes, urban sewers, caves or empty graves to create temporary shelters.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Trophia is a visual essay on the origins of life on Earth. This collection of photographs, sculptures and installations takes us back to the Precambrian era, when photosynthesis first occurred in the oceans. The central theme of the piece is chlorophyll, its sensitivity to light and the visualisation of the energy that gave rise to the first living cell and ultimately to everything that surrounds us.