Goshka Macuga’s exhibition is both the first individual presentation of the artist’s work in Poland, as well as a project created especially for Zachęta. Macuga’s method of work is called an “archeology of culture” and is founded to a great extent on the research of archives linked with the history of an institution. At the exhibition in the Zachęta Gallery, Macuga is preparing a project that concerns censorship in Polish art after 1989, and also attacks of all types on works of art, artists, curators and directors.

03.12 - 19.02

No, No, I Hardly Ever Miss a Show is a project about the public, for public, that is also co-created by the public. Zachęta’s exhibition halls became a space for an exchange of ideas and thoughts, both in a ‘traditional’ way (art pieces, lectures, discussions), as well as in an interactive manner (workshops, art interventions). The exhibition reveals the mechanisms through which the gallery operates, and demonstrates the processes involved in the preparation and running of an exhibition.

10.12 - 12.02

04.02 - 19.02